Cheating in science, sports, journalism, business, and art: How do they differ?

I just read “Lying for Money: How Legendary Frauds Reveal the Workings of Our World,” by Dan Davies.

I think the author is the same Dan Davies who came up with the saying, “Good ideas do not need lots of lies told about them in order to gain public acceptance,” and also the “dsquared” who has occasionally commented on this blog, so it is appropriate that I heard about his book in a blog comment from historian Sean Manning.

As the title of this post indicates, I’m mostly going to be talking here about the differences between frauds in three notoriously fraud-infested but very different fields of human endeavor: science, sports, and business.

But first I wanted to say that this book by Davies is one of the best things about economics I’ve ever read. I was trying to think what made it work so well, and I realized that the problem with most books about economics is that they’re advertising the concept of economics, or they’re fighting against dominant economics paradigms . . . One way or another, those books are about economics. Davies’s book is different in that he’s not saying that economics is great, he’s not defensive about economics, and he’s not attacking it either. His book is not about about economics; it’s about fraud, and he’s using economics as one of many tools to help understand fraud. And then when he gets to Chaper 7 (“The Economics of Fraud”), he’s well situated to give the cleanest description I’ve ever seen of economics, integrating micro to macro in just a few pages. I guess a lot of readers and reviewers will have missed that bit because it’s not as lively as the stories at the front of the book, also, who ever gets to Chapter 7, right?, and that’s kinda too bad. Maybe Davies could follow up with a short book, “Economics, what’s it all about?” Probably not, though, as there are already a zillion other books of this sort, and there’s only one “Lying for Money.” I’m sure there are lots of academic economists and economics journalists who understand the subject as well or better than Davies; he just has a uniquely (as far as I’ve seen) clear perspective, neither defensive nor oppositional but focused on what’s happening in the world rather than on academic or political battles for the soul of the field. (See here and here for further discussion of this point.)

Cheating in business

Cheating in business is what “Lying for Money” is all about. Davies mixes stories of colorful fraudsters with careful explanations of how the frauds actually worked, along with some light systematizing of different categories of financial crime.

In his book, Davies does a good job of not blaming the victims. He does not push the simplistic line that “you can’t cheat an honest man.” As he points out, fraud is easier to commit in an environment of widespread trust, and trust is in general a good thing in life, both because it is more pleasant to think well of others and also because it reduces transaction costs of all sorts.

Linear frauds and exponential frauds

Beyond this, one of the key points of the book is that there are two sorts of frauds, which I will call linear and exponential.

In a linear fraud, the fraudster draws money out of the common reservoir at a roughly constant rate. Examples of linear frauds include overbilling of all sorts (medical fees, overtime payments, ghost jobs, double charging, etc.), along with the flip side of this, which is not paying for things (tax dodging, toxic waste dumping, etc.). A linear fraud can go on indefinitely, until you get caught.

In an exponential fraud, the fraudster needs to keep stealing more and more to stay solvent. Examples of exponential frauds include pyramid schemes (of course), mining fraud, stock market manipulations, and investment scams of all sorts. A familiar example is Bernie Madoff, who raised zillions from people by promising them unrealistic returns on their money, but as a result incurred many more zillions of financial obligations. The scam was inherently unsustainable. Similarly with Theranos: the more money they raised from their investors, the more trouble they were in, given that they didn’t actually ever have a product. With an exponential fraud you need to continue expanding your circle of suckers—once that stops, you’re done.

A linear fraud is more sustainable—I guess the most extreme example might be Mister 880, the counterfeiter of one-dollar bills who was featured in a New Yorker article many years ago—but exponential frauds can grow your money faster. Embezzling can go either way: in theory you can sustainably siphon off a little bit every month without creating noticeable problems, but in practice embezzlers often seem to take more money than is actually there, giving them unending future obligations to replace the missing funds.

With any exponential fraud, the challenge is to come up with an exit strategy. Back in the day, you could start a pyramid scheme or other such fraud, wait until a point where the scam had gone long enough that you had a good profit but before you reach the sucker event horizon, and then skip town. The only trick is to remember to jump off the horse before it collapses. For business frauds, though, there’s a paper trail, so it’s harder to leave without getting caught. The way Davies puts it is that in your life you have one chance to burn your reputation in this way.

Another way for a fraudster to escape, financially speaking, is to go legit. If you’re a crooked investor, you can take your paper fortune to the racetrack or the stock market and make some risky bets: if you win big, you can pay off your funders and retire. Unfortunately, if you win big, and you’re already the kind of person to conduct an exponential fraud in the first place, it seems likely you’ll just take this as a sign that you should push further. Sometimes, though, you can keep things going indefinitely by converting an exponential into a linear scheme, as seems to have happened with some multilevel modeling operations. As Davies says, if you can get onto a stable financial footing, you have something that could be argued was never a fraud at all, just a successful business that makes its money by convincing people to pay more for your product than it’s worth.

The final exit strategy is recidivism, or perhaps rehabilitation. Davies shares many stories of fraudsters who got caught, went to prison, then popped out and committed similar crimes again. They kept doing what they were
good at! Every once in awhile you see a fraudster who managed to grease enough palms that after getting caught he could return to life as a rich person, for example Michael Milken.

One other thing. Yes, exponential frauds are especially unsustainable, but linear frauds can be tricky to maintain too. Even if you’re cheating people at a steady, constant rate, so you have no pressing need to raise funds to cover your past losses, you’re still leaving a trail of victims behind, and any one of them can decide to be the one to put in the effort to stop you. More victims = greater odds of being tracked down. There’s all sorts of mystique about “cooling off the mark,” but my impression that the main way that scammers get away with their frauds is by maintaining some physical distance from the people they’ve scammed, and by taking advantage of the legal system to make life difficult for any whistleblowers or victims who come after them. Again, see Theranos.

Cheating in science

Science fraud is a mix of linear and exponential. The linear nature of the fraud is that it’s typically a little bit in paper after paper, grant proposal after grant proposal, Ted talk after Ted talk, a lie here, an exaggeration there, some data manipulation, some p-hacking, at each time doing whatever it takes to get the job done. The fraud is linear in that there’s no compounding; it’s not like each new research project requires an ever-larger supply of fake data to make up for what was taken last time.

On the other hand, there’s a potentially exponential problem that, if you use fraud to produce an important “discovery,” others will want to replicate it for themselves, and when those replications fail, you’ll need to put in even more effort to prop up your original claims. In business, this propping-up can take different forms (new supplies of funds, public relations, threats, delays, etc.), and similarly there are different ways in science to prop up fake claims: you can ignore the failed replications and hope for the best, you can attack the replicators, you can use connections in the news media to promote your view and use connections in academia to publish purported replications of your own, you can jump sideways into a new line of research and cheat to produce success there . . . lots of options. The point is, fake scientific success is hydra-headed as it will spawn continuing waves of replication challenges. As with financial fraud, the challenge, after manufacturing a scientific success, is to draw a line under it, to get it accepted as canon, something they can never take away from you.

Cheating in sports

Lance Armstrong is an example of an exponential fraud. He doped to win bike races—apparently everybody was doping at the time. But Lance was really really good at doping. People started to talk, and then Lance had to do more and more to cover it up. He engaged in massive public relations, he threatened people, he tried to wait it out . . . nothing worked. Dude is permanently disgraced. It seems that he’s still rich, though: according to wikipedia, “Armstrong owns homes in Austin, Texas, and Aspen, Colorado, as well as a ranch in the Texas Hill Country.”

Other cases of sports cheating have more of a linear nature. Maradona didn’t have to keep punching balls into the net; once was enough, and he still got to keep his World Cup victory. If Brady Anderson doped, he just did it and that was that; no escalating behavior was necessary.

Cheating in journalism

Journalists cheat by making things up in the fashion of Mike Barnicle or Jonah Lehrer, or by reporting stories that originally appeared elsewhere without crediting the original source, which I’ve been told is standard practice at the New York Times and other media outlets. Reporting an already-told story without linking to the source is considered uncool in the blogging world but is so common in regular journalism that it’s not even considered cheating! Fabrication, though, remains a bridge too far.

Overall I’d say that cheating in journalism is like cheating in science and sports in largely being linear. Every instance of cheating leaves a hostage to fortune, so as you continue to cheat in your career, it seems likely you’ll eventually get found out for something or another, but there’s no need for an exponential increase in the amount of cheating in the way that business cheaters need to recoup larger and larger losses.

The other similarity of cheating in journalism to cheating in other fields is the continuing need for an exit strategy, with the general idea being to build up reputational credit during the fraud phase that you can then cash in during the discovery phase. That is, once enough people twig to your fraud, you are already considered too respectable or valuable enough to dispose of. Mike Barnicle is still on TV! Malcolm Gladwell is still in the New Yorker! (OK, Gladwell isn’t doing fraud, exactly: rather than knowingly publishing lies, he’s conveniently putting himself in the position where he can publish untrue and misleading statements while setting himself in some sort of veil of ignorance where he can’t be held personally to blame for these statements. He’s playing the role of a public relations officer who knows better than to check the veracity of the material he’s being asked to promote.)

Art fraud

I don’t have anything really to say about cheating in art, except that it’s a fascinating topic and much has been written about it. Art forgery involves some amusing theoretical questions, such as: if someone copies a painting or a style of a no-longer-living artist so effectively that nobody can tell the difference, is anyone harmed, other than the owners of existing work whose value is now diluted? From a business standpoint, though, art forgery seems similar to other forgery in being an essentially linear fraud, again leading to a linearly increasing set of potentially incriminating clues.

Closely related to art fraud is document fraud, for example the hilarious and horrifying (but more hilarious than horrifying) gospel of Jesus’s wife fraud, and this blurs into business fraud (the documents are being sold) and science fraud (in this case, bogus claims about history).

Similarities between cheating in business, science, sports, and journalism

Competition is a motivation for cheating. It’s hard to compete in business, science, sports, and journalism. Lots of people want to be successes and there aren’t enough slots for everyone. So if you don’t have the resources or talent or luck to succeed legitimately, cheating is an alternative path. Or if you are well situated for legitimate success, cheating can take you to the next level (I’m looking at you, Barry Bonds).

Cheating as a shortcut to success, that’s one common thread in all these fields of endeavor. There’s also cheating in politics, which I’m interested in as a political scientist, but right now I’m kinda sick of thinking about lying cheating political figures—this includes elected officials but also activists and funders (i.e., the bribers as well as the bribed)—so I won’t consider them here.

Another common thread is that you’re not supposed to cheat, so the cheater has to keep it hidden, and sometimes the coverup is, as they say, worse than the crime.

A final common thread is that business, science, sports, journalism, and art are . . . not cartels, necessary, but somewhat cooperative enterprises whose participants have a stake in the clean reputation of the entire enterprise. This motivates them to look away when they see cheating. It’s unpleasant, and it’s bad all around for the news to spread, as this could lead to increased distrust of the entire enterprise. Better to stick to positivity.

Differences

The key difference I see between these different areas is that in business it’s kinda hard to cheat by accident. In science we have Clarke’s Law: Any sufficiently crappy research is indistinguishable from fraud. In business or sports we wouldn’t say that. OK, there might be some special cases, for example someone sells tons of acres of Florida swampland and is successful because he (the salesman) sincerely thinks it’s legitimate property, but in general I think of business frauds as requiring something special, some mix of inspiration, effort, and lack of scruple that most of us can’t easily assemble. A useful idiot might well be useful as part of a business fraud, but I wouldn’t think that ignorance would be a positive benefit.

In contrast, in research, a misunderstanding of scientific method can really help you out, if your goal is to produce publishable, Gladwell-able, Freakonomics-able, NPR-able, Ted-able work. The less you know and the less you think, the further you can go. Indeed, if you approach complete ignorance of a topic, you can declare that you’ve discovered an entire new continent, and a pliable news media will go with you on that. And if you’re clueless enough, it’s not cheating, it’s just ignorance!

In this dimension, sports and art seem more like business, and journalism seems more like science. Yes, you can cheat in sports without realizing it, but knowing more should allow you to be more effective at it. I can’t think of a sporting equivalent to those many scientists who produce successful lines of research by wandering down forking paths, declaring statistical significance, and not realizing what they’ve been doing.

With journalism, though, there’s a strong career path of interviewing powerful people and believing everything they say, never confronting them. To put it another way, there’s only one Isaac Chotiner, but there are lots and lots of journalists who deal in access, and I imagine that many of them are sincere, i.e. they’re misleading their readers by accident, not on purpose.

Other thoughts inspired by the book Lying for Money

I took notes while reading Davies’s book. Page references are to the Profile Books paperback edition.

p.14, “All this was known at the time.” This comes up again on p.71: “At this point, the story should have been close to its conclusion. Indeed, the main question people asked in 1982, when OPM finally gave up and went bankrupt, is why didn’t it happen three years earlier? Like a Looney Toons character, nothing seemed to stop it. New investors were brought in as the old ones gave up in disgust.” This happens all the time; indeed it was one of the things that struck me about the Theranos story was how the company thrived for nearly a decade, after various people in the company realized the emptiness of the company’s efforts.

A fraud doesn’t stay afloat all by itself; it takes a lot of effort to keep it going. This effort can include further lies, the judicious application of money, and, as with Theranos, threats and retaliation. It’s a full-time job! Really there’s no time to make up the losses or get the fictional product to work, given all the energy being spent to keep the enterprise alive for years after the fact of the fraud is out in the open.

p.17, “Fraudsters don’t play on moral weaknesses, greed or fear; they play on weaknesses in the system of checks and balances.” I guess it’s a bit of both, no? One thing I do appreciate, though, is the effort Davies puts in to not present these people as charming rogues.

I want to again point to a key difference between fraud in business and fraud in science. Business fraud requires some actual talent, or at least an unusual lack of scruple or willingness to take risks, characteristics that set fraudsters apart from the herd. In contrast, scientific misconduct often just seems to require some level of stupidity, enough so that you can push buttons, get statistical results, and draw ridiculous conclusions without looking back. Sure, ambition and unscrupulousness can help, but in most cases just being stupid seems like enough, and also is helpful in the next stage of the process when it’s time to non-respond to criticism.

p.18, “Another thing which will come up again and again is that it is really quite rare to find a major commercial fraud which was the fraudster’s first attempt. An astonishingly high proportion of the villains of this book have been found out and even served prison time, then been places in positions of trust once again.” I’m reminded of John Gribbin and John Poindexter.

Closer to home, there was this amazing—by which I mean amazingly horrible—story of a public school that was run jointly by the New York City Department of Education and Columbia University Teachers College. The principal of this school had some issues. From the news report:

In 2009 and 2010, while Ms. Worrell-Breeden was at P.S. 18, she was the subject of two investigations by the special commissioner of investigation. The first found that she had participated in exercise classes while she was collecting what is known as “per session” pay, or overtime, to supervise an after-school program. The inquiry also found that she had failed to offer the overtime opportunity to others in the school, as required, before claiming it for herself.

The second investigation found that she had inappropriately requested and obtained notarized statements from two employees at the school in which she asked them to lie and say that she had offered them the overtime opportunity.

After those findings, we learn, “She moved to P.S. 30, another school in the Bronx, where she was principal briefly before being chosen by Teachers College to run its new school.”

So, let’s get this straight: She was found to be a liar, a cheat, and a thief, and then, with that all known, she was hired to two jobs as school principal?? An associate vice president of Teachers College said, “We felt that on balance, her recommendations were so glowing from everyone we talked to in the D.O.E. that it was something that we just were able to live with.” In short: once you’re plugged in, you stay plugged in.

p.47: Davies talks about how online drug dealers eventually want to leave the stressful business of drug dealing, and at this point they can cash in their reputation by taking a lot of orders and then disappearing with customers’ money. An end-of-career academic researcher can do something similar if they want, using an existing reputation to promote bad ideas. Usually though you wouldn’t want to do that, as there’s no anonymity so the negative outcome can reflect badly on everything that came before. The only example I can think of offhand is the Cornell psychology researcher Daryl Bem, who is now indelibly associated with some very bad papers he wrote on extra-sensory perception. I was also gonna include Orson Welles here, as back in the 1970s he did his very best to cash in his reputation on embarrassing TV ads. But, decades later, the ads are just am amusing curiosity and Orson’s classic movies are still around: his reputation survived just fine.

p.50: “When the same features of a system keep appearing without anyone designing them, you can usually be pretty sure that the cause is economic.” Well put!

p.57: Regarding Davies’s general point about fraud preying upon a general environment of trust, I want to say something about the weaponization of trust. An example is when a researcher is criticized for making scientific errors and then turns around, in a huff, and indignantly says he’s being accused of fraud. The gambit is to move the discussion from the technical to the personal, to move from the question of whether there really is salad oil on those tanks to the question of whether the salad oil businessman can be trusted.

p.62: Davies writes, “fraud is an unusual condition; it’s a ‘tail risk.'” All I can say is, fraud might be an unusual “tail risk” in business, but in science it’s usual. It happens all the time. Just in my own career, I had a colleague who plagiarized; another one who published a report deliberately leaving out data that contradicted the story he wanted to tell; another who lied, cheated, and stole (I can’t be sure about that one as I didn’t see it personally; the story was told to me by someone who I trust); another who smugly tried to break an agreement; and another who was conned by a coauthor who made up data. That’s a lot! It’s two cases that directly affected me and three that involved people I knew personally. There was also Columbia faking its U.S. News ranking data; I don’t know any of the people involved but, as a Columbia employee, I guess that I indirectly benefited from the fraud while it was happening.

I’d guess that dishonesty is widespread in business as well. So I think that when Davies wrote “fraud is an unusual condition,” he really meant that “large-scale fraud is an unusual condition”; indeed, that would fit the rest of his discussion on p.62, where he talks about “big systematic fraud” and “catastrophic fraud loss.”

This also reminds me of the problems with popular internet heuristics such as “Hanlon’s razor,” “steelmanning,” and “Godwin’s law,” all of which kind of fall apart in the presence of actual malice, actual bad ideas, and actual Nazis. The challenge is to hold the following two ideas in your head at once:

1. In science, bad work does not require cheating; in science, honesty and transparency are not enough; just cos I say you did bad work it doesn’t mean I’m accusing you of fraud; just cos you followed the rules as you were taught and didn’t cheat it doesn’t mean you made the discovery you thought you did.

2. There are a lot of bad guys and cheaters out there. It’s typically a bad idea to assume that someone is cheating, but it’s also often a mistake to assume that they’re not.

p.65: Davies refers to a “black hole of information.” I like that metaphor! It’s another way of saying “information laundering”: the information goes into the black hole, and when it comes out its source has been erased. Traditionally, scientific journals have functioned as such a black hole, although nowadays we are more aware that, even if a claim has been officially “published,” it should still be possible to understand it in the context of the data and reasoning that have been used to justify it.

As Davies puts it on p.71, “People don’t check up on things which they believe to have been ‘signed off.’ The threat is inside the perimeter.” I’ve used that analogy too! From 2016: “the current system of science publication and publicity is like someone who has a high fence around his property but then keeps the doors of his house unlocked. Any burglar who manages to get inside the estate then has free run of the house.”

p.76: “The government . . . has some unusual characteristics as a victim (it is large, and has problems turning customers away).” This reminds me of scientific frauds, where the scientific community (and, to the extent that the junk science has potential real-world impact, the public at large) is the victim. Scientific journals have the norm of taking every submission seriously; also, a paper that is rejected from one journal can be submitted elsewhere.

p.77: “If there is enough confusion around, simply denying everything and throwing counter-accusations at your creditors can be a surprisingly effective tactic.” This reminds me of the ladder of responses to criticism.

p.78: Davies describes the expression “cool out the mark” as having been “brought to prominence by Erving Goffman.” That’s not right! Cooling out the mark was already discussed in great detail in linguist David Maurer’s classic book from 1940, The Big Con. More generally, I find Goffman irritating for reasons discussed here, so I really don’t like to see him credited for something that Maurer already wrote about.

p.114: “Certain kinds of documents are only valid with an accountant’s seal of approval, and once they have gained this seal of validity, they are taken as ‘audited accounts’ which are much less likely to be subjected to additional verification or checking.” Davies continues: “these professions are considered to be circles of trust. The idea is partly that the long training and apprenticeship processes of the profession ought to develop values of trust and honesty, and weed out candidates who do not possess them. And it is partly that professional status is a valuable asset for the person who possesses it.”

This reminds me of . . . academic communities. Not all, but much of the time. This perspective helps answer a question that’s bugged me for awhile: When researchers do bad work, why do others in their profession defend them? Just to step away from our usual subjects of economics and psychology for a moment, why were the American Statistical Association and the American Political Science Association not bothered by having giving major awards to plagiarists (see here and here)? You’d think they’d be angry about getting rooked, or at least concerned that their associations are associated with frauds. But noooo, the powers that be in these organizations don’t give a damn. The Tour de France removed Lance Armstrong’s awards, but ASA and APSA can’t be bothered. Why? One answer is that they—we!—benefit from the respect given to people in our profession. To retract awards is to admit that this respect is not always earned. Better to just let everyone quietly go about their business.

On p.124, Davies shares an amusing story of the unraveling of a scam involving counterfeit Portuguese banknotes: “While confirming them to be genuine, the inspector happened to find two notes with the same serial numbers—a genuine one had been stacked next to its twin. Once he knew what to look for, it was not too difficult to find more pairs. . . .” The birthday problem in the wild!

p.126: “mining is a sector of the economy in which standards of honesty are variable but requirements for capital are large, and you can keep raising money for a long time before you have to show results.” Kind of like some academic research and tech industries! Just give us a few more zillion dollars and eventually we’ll turn a profit . . .

p.130: “The key to any certification fraud is to exploit the weakest link in the chain.” Good point!

p.131: “It’s often a very good idea to make sure that one is absolutely clear about what a certification process is actually capable of certifying . . . Gaps like this—between the facts that a certification authority can actually make sure of, and those which it is generally assumed it can—are the making of counterfeit fraud.”

This reminds me of scientific error—not usually fraud, I think, but rather the run-of-the-mill sorts of mistakes that researchers, journals, and publicists make every day because they don’t think about the gap between what has been measured and what is being claimed. Two particularly ridiculous examples from psychology are the 3-day study that was called “long term” and the paper whose abstract concluded, “That a person can, by assuming two simple 1-min poses, embody power and instantly become more powerful has real-world, actionable implications,” even though the reported studies had no measures whatsoever of anyone “becoming more powerful,” let alone any actionable implications of such an unmeasured quantity. Again, I see no reason to think these researchers were cheating; they were just following standard practice of making strong claims that sound good but were not addressed by their data. Given that experimental scientists—people whose job is to connect measurement to a larger reality!—regularly make this sort of mistake, I guess it’s not a surprise that the same problem arises in business.

p.134: Davies writes that medical professionals “have a long training program, a strong ethical code and a lot to lose if caught in a dishonest act.” But . . . Surgisphere! Dr. Anil Potti! OK, there are bad apples in every barrel. Also, I’m sure there’s some way these dudes rationalize their deeds. Ultimately, they’re just trying to help patients, right? They’re just being slowed down by all those pesky regulations.

p.136: Davies writes, “The thing is, the certification system for pharmaceuticals is also a safety system.” I love that “The thing is.” It signals to me that Davies didn’t knock himself out writing this book. He wrote the book, it was good, he was done, it got published. When I write an article or book, I get obsessive on the details. Not that I don’t make typos, solecisms, etc., but I’m pretty careful to keep things trim. Overall I think this works, it makes my writing easier to read, but I do think Davies’s book benefits from this relaxed style, not overly worked over. No big deal, just something I noticed in different places in the book.

p.137: “Ranbaxy Laboratories . . . pleaded guilty in 2013 to seven criminal charges relating to the generic drugs it manufactured . . . it was in the habit of using substandard ingredients and manufacturing processes, and then faking test results by buying boxes of its competitors’ branded product to submit to the lab. Ranbaxy’s frauds were an extreme case (although apparently not so extreme as to throw it of the circle of trust entirely; under new management it still exists and produces drugs today).” Whaaa???

p.145: Davies refers to “the vital element of time” in perpetuating a fraud. A key point here is that uncovering the fraud is never as high a priority to outsiders as perpetuating the fraud is for the fraudsters. Even when money is at stake, the amount of money lost by each individual investor will be less than what is at stake for the perpetuator of the fraud. What this means is that sometimes the fraudster can stay alive by just dragging things out until the people on the other side get tired. That’s a standard strategy of insurance companies, right? To delay, delay, delay until the policyholder just gives up, making the rational calculation that it’s better to just cut your losses.

I’ve seen this sort of thing before, that cheaters take advantage of other people’s rationality. They play a game of chicken, acting a bit (or a lot) crazier than anyone else. It’s the madman theory of diplomacy. We’ve seen some examples recently of researchers who’ve had to deal with the aftermath of cheating collaborators, and it can be tough! When you realize a collaborator is a cheater, you’re dancing with a tiger. Someone who’s willing to lie and cheat and make up data could be willing to do all sorts of things, for example they could be willing to lie about your collaboration. So all of a sudden you have to be very careful.

p.157: “In order to find a really bad guy at a Big Four accountancy firm, you have to be quite unlucky (or quite lucky if that’s what you were looking for). But as a crooked manager of a company, churning around your auditors until you find a bad ‘un is exactly what you do, and when you do find one, you hang on to them. This means that the bad auditors are gravitationally drawn into auditing the bad companies, while the majority of the profession has an unrepresentative view of how likely that could be.”

It’s like p-hacking! Again, a key difference is that you can do bad science on purpose, you can do bad science by accident, and there are a lot of steps in between. What does it mean if you use a bad statistical method, people keep pointing out the problem, and you keep doing it? At some point you’re sliding down the Clarke’s Law slope from incompetence to fraud. In any case, my point is that bad statistical methods and bad science go together. Sloppy regression discontinuity analysis doesn’t have to be a signal that the underlying study is misconceived, but it often is, in part because (a) regression discontinuity is a way to get statistical significance and apparent causal identification out of nothing, and (b) if you are doing a careful, well-formulated study, you might well be able to model your process more likely. Theory-free methods and theory-free science often go together, and not in a good way.

p.161: “The problem is that spotting frauds is difficult, and for the majority of investors not worth spending the effort on.” Spotting frauds is a hobby, not a career or even a job. And that’s not even getting into the Javert paradox.

p.173: “The key psychological element is the inability to accept that one has made a mistake.” We’ve seen that before!

p.200: “The easier something is to manage—the more possible it is for someone to take a comprehensive view of all that’s going on, and to check every transaction individually—the more difficult it is to defraud.” This reminds me of preregistration in science. It’s harder to cheat in an environment where you’re expected to lay out all the steps of your procedure. Cheating in that context is not impossible, but it’s harder.

p.204: Davies discusses “the circumstances under which firms would form, and how the economy would tend not to the frictionless ideal, but to be made up by islands of central planning linked by bridges of price signals.” Well put. I’ve long thought this but, without having a clear formulation in words, it wasn’t so clear to me. This is the bit that made me say the thing at the top of this post, about this being the best economics book I’ve ever read.

p.229: “as laissez-faire economics was just getting off the ground, the Victorian era saw the ideology of financial deregulation grow up at the same time as, and in many cases faster and more vigorously than, financial regulation itself.” That’s funny.

p.231: “The normal state of the political economy of fraud is one of constant pressure toward laxity and deregulation, and this tends only to be reversed when things have got so bad that the whole system is under imminent threat of losing its legitimacy.” Sounds like social psychology! Regarding the application to economics and finance, I think Davies should mention Galbraith’s classic book on the Great Crash, where this laxity and deregulation thing was discussed in detail.

p.243: Davies says that stock purchases by small investors are very valuable to the market because, as a stockbroker, you can “be reasonably sure that you’re not taking too big a risk that the person selling stock to you knows something about it that you don’t.” Interesting point, I’m sure not new to any trader but interesting to me.

p.251: “After paying fines and closing down the Pittston hole, Russ Mahler started a new oil company called Quanta Resources, and somehow convinced the New York authorities that despite having the same owner, employees, and assets, it was nothing to do with the serial polluter that they had banned in 1976.” This story got me wondering: where the authorities asleep at the switched, or were they bribed, or did they just have a policy of letting fraudsters try again?

As Davies writes on p.284, “comparatively few of the case studies we’ve looked at were first offenses. . . . there’s something about the modern economic system that keeps giving fraudsters second chances and putting people back in positions of responsibility when they’ve proved themselves dishonest.” I guess he should say “political and economic system.”

Davies continues: “This is ‘white-collar crime’ we’re talking about after all; one of its defining characteristics is that it’s carried out by people of the same social class as those responsible for making decision about crime and punishment. We’re too easy on people who look and act like ourselves.” I guess so, but also it can go the other way, right? I think I’m the same social class as Cass Sunstein, but I don’t feel any desire to go easy on him; indeed, it seems to me that, with all the advantages he’s had, he has even less excuse to misrepresent research than someone who came in off the street. From the other direction, he might see me as a sort of class traitor.

p.254: “It’s a crime against the control system of the overall economy, the network of trust and agreement that makes an industrial economy livable.” That’s how I feel about Wolfram research when they hire people to spam my inbox with flattering lies. If even the classy outfits are trying to con me, what does that say about our world?

p.254: “Unless they are controlled, fraudulent business units tend to outcompete honest ones and drive them out of business.” Gresham!

p.269: “Denial, when you are not part of it, is actually a terrifying thing. One watches one’s fellow humans doing things that will damage themselves, while being wholly unable to help.” I agree. This is how I felt when corresponding with the ovulation-and-clothing researchers and with the elections-and-lifespan researchers. The people on the other side of these discussions seemed perfectly sincere; they just couldn’t consider the possibility they might be on the wrong track. (You could say the same about me, except: (1) I did consider the possibility I could be wrong in these cases, and (2) there were statistical arguments on my side; these weren’t just matters of opinion.) Anyway, setting aside if I was right or wrong in these disputes, the denial (as I perceived it) just made me want to cry. I don’t think graduate students are well trained in handling mistakes, and then when they grow up and publish research, they remain stuck in this attitude. I can see how this could be even more upsetting if real money and livelihoods are on the line.

Finally

In the last sentence of the last page of his book, Davies writes, “we are all in debt to those who trust; they are the basis of anything approaching a prosperous and civilised society.”

To which I reply, who are the trusters to which we are in debt? For example, I don’t think we are all in debt to those who trust scams such as Theranos or the Hyperloop, nor are we in debt to the Harvard professor who fell for the forged Jesus document and then tried to explain away its problems rather than just listening to the critics. Nor are we in debt to the administrations of Cornell University, Ohio State University, the University of California, etc., when they did their part to diffuse criticism of bad work being done by their faculty who had been so successful at raising money and getting publicity for their institutions.

I get Davies’s point in the context of his book: if you fall for a Wolfram Research scam (for example), you’re not the bad guy. The bad guy is Wolfram Research, which is taking advantage of your state of relaxation, tapping into the difficult-to-replenish reservoir of trust. In other settings, though, the sucker seems more complicit, not the bad guy, exactly—ultimately the responsibility falls on the fraudsters, not the promoters of the fraud—but their state of trust isn’t doing the rest of us any favors, either. So I’m not really sure what to think about this last bit.

P.S. Sean Manning reviews the book here. Perhaps surprisingly, there’s essentially no overlap between Manning’s comments and mine.

Annals of Spam

OK, this one baffles me. It came in my inbox one day:

Dear Dr. Gelman,

I am writing to inquire about the availability of obtaining a visiting scholar position in your institution. I’m a lecturer in ** Institute **. And I’m in my final year of doctoral study in ** University. Currently I’m working on my dissertation on the personal growth and national imagination in American romantic Bildungsroman. After my graduation in January 2024, I plan to start studying abroad for one year and this study program will be sponsored by **. If I could have the honor to be accepted, what I need from you is an invitation letter and your signed short CV for the ** approval process to visit your university.

I’ve been interested in American Literature and history for more than a decade. The close internal relationship between novel and history has always been attractive to me, which enables me to observe literary work from a wider perspective. As a Ph.D. candidate, I have narrowed down my research to the early or the first half of 19th century American Literature and mainly focus on the Bildungsormans during that period. The reasons are as follows: firstly, the personal growth of the protagonist can reflect the national imagination of the author, so through the development of a fictional character the history of a country can be demonstrated; secondly, too many scholars focus on the second half of 19th century novels and 20th century works, neglecting the beginning of American literature. When working in this area, I find that there has been a great gap between research in America and **. While only a couple of researchers in recent years have devoted their study in this period in **, a considerable amount of research has already been dedicated to Charles Brockden Brown and Catharine Maria Sedgwick in America. And in **, it’s very difficult to get first hand material about American writers. Theses drive me to look forward to studying in the US as a visiting scholar.

I have been learning and teaching English for over two decades. I got my B. A. in English Education in 2005 from ** University, the hometown of **. I studied as an English Language and Literature major and got M. A. in 2007 from ** University of **, **. And since then, I have been teaching College English courses in ** Institute **, **. This means that there won’t be a serious language barrier in my communication and study with you.

Desire for knowledge and academic progress pushes me to further study. From August 2007 to July 2020, I also developed some other academic interests besides literature, including college English teaching and multi-modal metaphor, the first of which mainly serves for my teaching work and the second was inspired by some teaching material. These extended my academic horizon on the one hand, but also showed my lack of adequate academic training on the other. In order to improve my academic performance, I applied to be a Ph.D. candidate and now to be a visiting scholar. I sincerely hope that I can study under your supervision.

In order to make you know me better, I enclose my CV. Any comment from you will be highly appreciated. I’m looking forward to hearing from you. Thank you very much for your time and consideration.

Sincerely yours,

**
Lecturer
School of Foreign Languages
** Institute ** **

Don’t they know that my real expertise is on Freud? OK, it seems I’m an expert on North Korea, too. But Charles Brockden Brown and Catharine Maria Sedgwick? I’d never heard of them!

Computational linguist Bob Carpenter says LLMs are intelligent. Here’s why:

More specifically, he says:

ChatGPT can do deep, involved reasoning. It has the context capacity to do that.

I [Bob] think that human language is what is known as “AI complete”. To be good at language, you have to be intelligent, because language is about the world and context. You can’t do what ChatGPT does ignorant of the world or be unable to plan. . . .

Humans also generally produce output one word at a time in spoken language. In writing we can plan and go back and revise. We can do a little planning on the fly, but not nearly as much. To me, this was the biggest open problem in computational linguistics—it’s what my job talk was about in 1989 and now it’s basically a solved problem from the engineering if not scientific perspective.

I [Bob] am not saying there’s no limitations to using the LLM architecture—it doesn’t have any long- or really medium-term memory. I’m just saying it can’t do what it does now without some kind of “intelligence”. If you try to define intelligence more tightly, you either rule out humans or you somehow say that only human meat can be intelligent.

I told Bob that take on this might be controversial, even among computer scientists, and he replied:

Of course. Everything’s controversial among academics . . .

My [Bob’s] position is hardly novel. It’s the take of everyone I know who understands the tech (of course, that’s a no-true-Scotsman argument), including this paper from Microsoft Research. I do think if you have studied cognitive science, philosophy of language, and philosophy of mind, studied language modeling, studied psycholinguistics, have some inkling of natural language compositional semantics and lexical semantics, and you understand crowdsourcing with human feedback, then you’re much more likely to come to the same conclusion as me. If you’re just shooting from the hip without having thought deeply about meaning and how to frame it or how humans process language a subword component at a time, then of course the behavior seems “impossible”. Everyone seems to have confused it with cutting-and-pasting search results, which is not at all what it’s doing.

I’m not saying it’s equivalent to a human, just that whatever it’s doing is a form of general intelligence. What it’s truly lacking is longer term memory. That means there are things humans can do that it really is incapable of doing in its present form. But that’s not because it’s a “dumb machine”. We’re just “dumb meat” viewed from that perspective (unless you want to get all spiritual and say we have a soul of some kind that matters).

Bob also recommends this paper from Google and this one from OpenAI, and he continues:

There’s a ton of work on scaling laws now and what people are seeing is emergent behavior at certain model sizes. As in like 1% performance for 3B parameters, then 95% performance for 6B parameters kind of thing. But nobody knows why this is happening or where.

The capacity of these models is quite high, including the representation of words, representation of positions, etc. It’s generting one word at a time, but the structrure is an incredibly rich time series with literally billions of parameters.

The background here is that I’ve been reading what Thomas Basbøll has been writing on chatbots and the teaching of writing (a topic of interest to me, because I teach writing as part of my Communicating Data and Statistics course), and he recommended a long article by Giulio Alessandrini, Brad Klee, and Stephen Wolfram entitled “What Is ChatGPT Doing . . . and Why Does It Work?”

I really liked Alessandrini et al.’s article. It was at the right level for me, stepping through the following topics:

It’s Just Adding One Word at a Time
Where Do the Probabilities Come From?
What Is a Model?
Models for Human-Like Tasks
Neural Nets
Machine Learning, and the Training of Neural Nets
The Practice and Lore of Neural Net Training
“Surely a Network That’s Big Enough Can Do Anything!”
The Concept of Embeddings
Inside ChatGPT
The Training of ChatGPT
Beyond Basic Training
What Really Lets ChatGPT Work?
Semantic Grammar and the Power of Computational Language
So . . . What Is ChatGPT Doing, and Why Does It Work?

Alessandrini et al.’s article has lots of examples, graphs, and code, and I get the impression that they’re actively trying to figure out what’s going on. They get into some interesting general issues; for example,

One might have thought that for every particular kind of task one would need a different architecture of neural net. But what’s been found is that the same architecture often seems to work even for apparently quite different tasks. At some level this reminds one of the idea of universal computation . . . but I think it’s more a reflection of the fact that the tasks we’re typically trying to get neural nets to do are “human-like” ones—and neural nets can capture quite general “human-like processes”.

In earlier days of neural nets, there tended to be the idea that one should “make the neural net do as little as possible”. For example, in converting speech to text it was thought that one should first analyze the audio of the speech, break it into phonemes, etc. But what was found is that—at least for “human-like tasks”—it’s usually better just to try to train the neural net on the “end-to-end problem”, letting it “discover” the necessary intermediate features, encodings, etc. for itself. . . .

That’s not to say that there are no “structuring ideas” that are relevant for neural nets. Thus, for example, having 2D arrays of neurons with local connections seems at least very useful in the early stages of processing images. And having patterns of connectivity that concentrate on “looking back in sequences” seems useful . . . in dealing with things like human language, for example in ChatGPT.

They also talk about the choices involved in tuning the algorithms—always an important topic in statistics and machine learning—so, all in all, I think a good starting point before getting into the technical articles that Bob pointed us to above. I pointed Bob to the Alessandrini et al. tutorial and his reaction was that it “seriously under-emphasizes the attention model in the transform and the alignment post-training. It’s the latter that took GPT-3 to ChatGPT, and it’s a huge difference.”

That’s the problem with sending a pop science article to an expert: the expert will latch on to some imperfection. The same thing happens to me when people send me popular articles on Bayesian statistics or American politics or whatever: I can’t help focusing on the flaws. Anyway, I still like the Alessandrini et al. article, I guess more so when supplemented with Bob’s comments.

P.S. Also I told Bob I still don’t get how generating one word at a time can tell the program to create a sonnet in the style of whoever. I just don’t get how “Please give me a sonnet . . .” will lead to a completion that has sonnet form. Bob replied:

Turn this around. Do you know how you write sentences without planning them all out word by word ahead of time? Language is hard, but we do all kinds of planning in this same way. Think about how you navigate from home to work. You don’t plan out a route step by step then execute it, you make a very general plan (‘ride my bke’ or ‘take the subway’), take a step toward that goal, then repeat until you get to work. As you get to each part of the task (unlock the bike, carry the bike outside, put the kickstand up, get on the bike, etc.) are all easily cued by what you did last, so it barely requires any thought at all. ChatGPT does the same thing with language. ChatGPT does a ton of computation on your query before starting to generate answers. It absolutely does a kind of “planning” in advance and as the MS paper shows, you can coach it to do better planning by asking it to share its plans. It does this all with its attention model. And it maintains several rich, parallel representations of how language gets generated.

Do you know how you understand language one subword component at a time? Human brains have *very slow* clock cycles, but very *high bandwidth* associative reasoning. We are very good at guessing what’s going to come next (though not nearly as good as GPT—it’s ability at this task is far beyond human ability) and very good at piecing together meaning from hints (too good in many ways as we jump to a lot of false associations and bad conclusions). We are terrible at logic and planning compared to “that looks similar to something I’ve seen before”.

I think everyone who’s thought deeply about language realizes it has evolved to make these tasks tractable. People can rap and write epic poems on the fly because there’s a form that we can follow and one step follows the next when you have a simple bigger goal. So the people who know the underlying architectures, but say “oh language is easy, I’m not impressed by ChatGPT” are focusing on this aspect of language. Where ChatGPT falls down is with long chains of logical reasoning. You have to coax it to do that by telling it to. Then it can do it in a limited way with guidance, but it’s basic architecture doesn’t support good long-term planning for language. If you want GPT to write a book, you can’t prompt it with “write a book”. Instead, you can say “please outline a book for me”, then you can go over the outline and have it instantiate as you go. At least that’s how people are currently using GPT to generate novels.

I asked Aki Vehtari about this, and Aki pointed out that there are a few zillion sonnets on the internet already.

Regarding the general question, “How does the chatbot do X?”, where X is anything other than “put together a long string of words that looks like something that could’ve been written by a human” (so, the question could be, “How does the chatbot write a sonnet” or “How does ChatGPT go from ‘just guessing next word’ to solving computational problems, like calculating weekly menu constrained by number of calories?”), Bob replied:

This is unknown. We’ve basically created human-level or better language ability (though not human or better ability to connect language to the world) and we know the entire architecture down to the bit level and still don’t know exactly why it works. My take and the take of many others is that it has a huge capacity in its representation of words and its representation of context and the behavior is emergent from that. It’s learned to model the world and how it works because it needs that information to be as good as it is at language.

Technically, it’s a huge mixture model of 16 different “attention heads”, each of which is itself a huge neural network and each of which pay attention to a different form of being coherent. Each of these is a contextual model with access to the previous 5K or so words (8K subword tokens).

Part of the story is that the relevant information is in the training set (lots of sonnets, lots of diet plans, etc.); the mysterious other part is how it knows from your query what piece of relevant information to use. I still don’t understand how it can know what to do here, but I guess that for now I’ll just have to accept that the program works but I don’t understand how. Millions of people drive cars without understanding at any level how cars work, right? I basically understand how cars work, but there’d be no way I could build one from scratch.

If you’re coming to FAccT 2023, don’t miss the world premiere performance of Recursion.

The ACM Conference on Fairness, Accountability, and Transparency (ACM FAccT) conference will be held this year in Chicago from 12-15 June. And at 7pm on Tues 13 June there will be a staged reading of Recursion, a play that Jessica and I wrote.

Recursion is an entertaining and thought-provoking (we hope) play with computer science themes that connect to many of the topics that bring people to FAccT. The play will be directed and acted by a troupe of students from the Northwestern University theater program. We even have some funding thanks to Northwestern’s Engineering school.

If you’ll be coming to FAccT, we hope you can boot it to the performance! And if you’re not coming, well, maybe you should reconsider.

Ghostwriting by federal judges (a way to violate disclosure rules) as the opposite of plagiarism.

We’re used to seeing plagiarism in public life—Joe Biden’s the most famous culprit, but there are also various German politicians, as well as Harvard law professor and almost-Supreme-Court-judge Laurence Tribe. Some Yale law professors too, I think. And lots of academics, from Weggy on down to various more obscure characters.

Plagiarism is taking someone else’s writing and passing it off as your own. The opposite—taking your own writing and attributing it to someone else—is called ghostwriting.

The most common use of ghostwriting by political figures is when someone is hired to write something that will be published under the politician’s name. Maybe the most famous example here is the book Profiles in Courage, attributed to John Kennedy. A few years later, Barry Goldwater had a couple of ghostwritten books attributed to him. Perhaps the best way of thinking about these examples is that these guys are politicians, not writers, but they’re taking political responsibility for the words that are placed under their names. It’s not really important whether they wrote the particular words; what’s relevant is that they’re standing by these words.

Recently I learned about a different sort of example of political ghostwriting. In this case it was the politician who was the ghostwriter: he did the writing and then attributed it to others.

Paul Campos has the story. It’s about controversial abortion judge Matthew Kacsmaryk:

As a lawyer for a conservative legal group, Matthew Kacsmaryk in early 2017 submitted an article to a Texas law review criticizing Obama-era protections for transgender people and those seeking abortions.

The Obama administration, the draft article argued, had discounted religious physicians who “cannot use their scalpels to make female what God created male” and “cannot use their pens to prescribe or dispense abortifacient drugs designed to kill unborn children.”

But a few months after the piece arrived, an editor at the law journal who had been working with Kacsmaryk received an unusual email: Citing “reasons I may discuss at a later date,” Kacsmaryk, who had originally been listed as the article’s sole author, said he would be removing his name and replacing it with those of two colleagues at his legal group . . .

What Kacsmaryk did not say in the email was that he had already been interviewed for a judgeship by his state’s two senators and was awaiting an interview at the White House.

As part of that process, he was required to list all of his published work on a questionnaire submitted to the Senate Judiciary Committee, including “books, articles, reports, letters to the editor, editorial pieces, or other published material you have written or edited.”

The article, titled “The Jurisprudence of the Body,” was published in September 2017 by the Texas Review of Law and Politics, a right-leaning journal that Kacsmaryk had led as a law student at the University of Texas. But Kacsmaryk’s role in the article was not disclosed . . .

I guess that it was no secret that Kacsmaryk was an anti-abortion activist, and in general there’s no principle by which political activists should not become judges, so I’m guessing it was a bit of overkill for him to break the rules and not list this article he wrote. Seems like an example of someone trying so hard to be careful that he gets himself in trouble. Too clever by half.

But all this made me think of my own writing. Have I ever been a ghostwriter? I don’t think so. Several years ago my work was plagiarized—that is, some of my ideas were published under somebody else’s name—but he didn’t ask me for permission to do this, so it was plagiarism by him, not ghostwriting by me. Other times I’ve written a draft article or book and then approached others to join me as coauthors, but that’s not ghostwriting either, first because I kept my name on the projects and second because the coauthors helped on these projects too, which indeed is why I invited them to join the projects in the first place. There have have also been some projects where I’ve helped out but said I’d rather not be included as an author, not out of embarrassment but rather because I didn’t think my contributions to these projects were so large, and I was concerned that if I were included as a coauthor, people would inappropriately give me credit for the work. Finally, there have been some projects where I’ve helped out but I was dissatisfied with the final version of the paper and I didn’t feel like putting in the effort to make it better, so I just asked to be removed from the author list so I would not be taking responsibility for the product.

No actual ghostwriting, though. If someone paid me enough, I’d do it. I’d even prove a theorem for Stephen Wolfram for enough $ . . . unfortunately, I’m pretty sure I’m not a good enough mathematician to prove any of the theorems he’d like to see proven. And I have no plans to interview for any appointive federal positions, so I doubt I’d have any motivation to do a Kacsmaryk and try to erase the tracks on any work I’m legally required to disclose.

P.S. There’s one thing I do sometimes that’s kind of ghostwriter-like, which is to take some phrase that I’ve used (here are some examples) and attribute it to someone else, or to say something like, “As the saying goes . . .” I do this sometimes for amusement and sometimes because I feel that, even though I have no direct quote for the saying, that it’s something I’ve heard before, or similar to something I’ve heard before, so I don’t really feel I deserve credit for it.

Mystery resolved! How did an article with apparently zero Jewish content end up in a “magazine of Jewish news, ideas, and culture”?

A few months ago we discussed an article by epidemiologist John Ioannidis and psychologist Michaela Schippers that talked about “concrete values like freedom and equality.” I had no idea what they were saying, or what it even means for a value to be concrete.

The real mystery about that article, though, was not its content—we see rants on the internet all the time!—but rather that it appeared in Tablet, which describes itself as “a daily online magazine of Jewish news, ideas, and culture”—but I couldn’t see anything Jewish about it! No Jewish news, no Jewish ideas, no Jewish culture . . . what was it doing there??

But then in comments John spotted it:

From the Tablet article: “The idea of arbitrators who select what is correct and dismiss what is incorrect is the most alien possible concept to science.”

Also known as the peer review process.

And I realized that this was the connection to “Jewish news, ideas, and culture.” What could be more Jewish than a bunch of people poring over an ambiguous text and finding all its contradictions?

It’s good that got resolved.

Recent book reviews

Colorado Train, by Inker: Grim. Stephen King’s The Body minus the nostalgia. Drawings and story complemented each other.

Les Insulaires, by Garnier: First novel I’ve ever read in a foreign language. It took awhile, but I could follow it. Clear and direct style. The characters seemed real, if not so interesting. The book as a whole reminded me of one of those French noir thrillers from the 1950s. Everything was kind of low-key and low-budget: the murder was low-budget, the mystery was low-budget, the retribution was low-budget. The funny thing is that in a novel, special effects are free: you can throw in as many explosions as you wan. But he didn’t. I’m not saying the book would’ve been better with more action; it was just funny to read such a low-budget writing style.

Retour à Liverpool, by Bourhis and Solé: Great drawing, great dialogue, seemed real. Thumbs up.

Numéro Deux, by Foenkinos: Excellent hook, convincing characters, rendered in a flat, easy-to-read style. Pleasantly bittersweet.

The Committed, by Nguyen: Just amazing, as was its predecessor.

Chanson Douce, by Slimani: I’d heard about this one . . . She did it well. I was expecting some kind of grand revelation or plot twist, but it didn’t happen that way. Sensitively done, this one was very convincing too.

The Expats, by Pavone: Super clunky, especially at the beginning, also the main characters were not appealing at all, not even in a faded Richard Burton kind of way. Also it was bugging me that the action’s all in Europe and everyone’s getting in a car all the time, not once hopping on a bike or a train. Still, I read all the way through to see what happened next, and then I read the sequel, which also was clunky with two-dimensional characters but I wanted to keep going.

The Plot, by Korelitz: I enjoyed it most of the way but at the end the plot did not live up to the build-up, and I left annoyed at Steven King and the others who’d blurbed it.

Largo Winch, by Van Hamme and Francq: The original “Eastern” (selon wikipedia, “business-thriller”). Lots of fun. I went through them pretty fast until tome 15, when the formula started to get boring. The first 10 or so were great, though.

L’Arabe du Futur, by Sattouf: What can I say? It lives up to the hype. Tome 6 brings us up to the present day. The drawings are simple yet amazingly expressive, and the writing is great too.

Le Jeune Acteur, by Sattouf: This one was good too!

Il Faut Flinguer Ramirez, by Petrimaux: Just amazing. He creates an entire world. This guy is the Spielberg of comics—I’ve never seen anything else like it. Along with the rest of the world, I’m now waiting for tome 3.

Lake Success, by Shteyngart: Remake of Bonfire of the Vanities—clearly an intentional remake too, given that he has a scene in Richmond and does this funny thing where the Wasps are the exotic characters. Very readable and amusing but didn’t entirely convince me, as I’d seen that sentimental rich guy character before.

Dernier Meurtre Avant la Fin du Monde, by Winters: Actually a U.S. book, just happened to find it in translation in the library here. The Paris libraries are just a zillion times better than what we have in New York. I guess 50 years of close-to-zero budgets have taken their toll. Anyway, this one was ok . . . I’m not quite sure what to say. It had a great premise and carried it out well, the characters were generic but not implausible, the scenes and the minor characters were all well done . . . but I thought Underground Airlines was much better.

A Little Book About a Big Memory, by Luria: This is another one I read in French; in this case the original was in Russian. A classic, and fun to read. Lots of cool details.

Bourneville, by Coe: Did not disappoint. Funny, thought-provoking, emotionally moving, the whole deal. I think he’s my favorite living author. The whole thing kinda makes me want to be English. OK, not really. But kinda.

All the Devils are Here, by Seabrook: In the Luc Sante “cult classic” genre. Worth reading. It’s funny how this sort of writing is standard in pop songs nowadays but so rarely appears in nonfiction literature. I’m thinking we should write Crimes Against Data in this sort of allusive, mysterious style.

Stoner, by Williams: I already reviewed this one. It came highly recommended and it lived up to the hype. I didn’t think it was “perfect” (as it was annoyingly blurbed), but a novel doesn’t have to be perfect. I got a lot out of it.

Crédit Illimité, by Rey: Another fun one with a great hook. A middle-aged loser is hired by his wealthy industrialist father to fire a bunch of people at his company. At first I thought it was going to be a nihilistic “romp,” but, no, there was more to it than that. It’s interesting reading these books, in part because I have no idea what they’re going to be like. I’ve never heard of these authors, I can’t tell from the cover, or the summary on the back, or even from reading a few pages. It’s all new to me!

Le Petit Astronaute, by Eid: Sad story, beautiful colors. This is the only BD that I can think of where the coloring was the defining characteristic.

Cherchez Charlie, by Moynot: Lots of fun from the first page onward. Now that it’s over, I remember just about nothing of the story, but I had a great time while I was reading it.

Mojo Hand, by Arnoud Floc’h: Good story, quirky drawing style, interesting theme connected to blues music.

Le Ministre & La Joconde, by Bourhis, Bourgeron, and Tanquerelle: Fun drawings, fun story. In the style of Haramabat’s Operation Copperhead and Le Detection Club. Not as good as those, but I’d still recommend it.

Les Animaux Dénaturés, by Bruller, Vercors, and Falzon: Interesting philosophical story, with drawings that are just wonderful and also fit in well with the content. A unique book.

Asphalt Blues, by Salaüin: Kinda like a Hollywood futuristic action movie. Well done. I don’t have a strong memory of the book now, but it worked while I was reading it.

Michigan, by Frey and Varela: Pleasant story, clear-line-style drawing. A little piece of social history.

La Page Blanche, by Boulet and Bagieu: After seeing the movie, I wanted to read the BD it was based on. I wouldn’t have picked it out otherwise—I don’t really like the drawing style—but the story was compelling. I’m glad I read it.

The BBC, by Hendy: No tricks here, this is a straight-up history of the British Broadcasting Corporation. It has these amazing blurbs and the topic interested me, so I picked it up. The back-cover blurb mentions The Morecombe and Wise Show, Monty Python’s Flying Circus, EastEnders, Dr. Who, and Desert Island Discs. And this brings me to my disappointment, which is that, with the exception of EastEnders, the book doesn’t really talk about any of these at all! I went to the index: Morecombe and Wise is not listed at all, Monty Python is not listed at all, Doctor Who gets two listings which turns out to be one paragraph and a brief mention elsewhere, and Desert Island Discs is . . . you guessed it, not listed at all! What the book was filled with was politics. That’s fine—I’m a political scientist, I read politics books for fun sometimes—; still, it was disappointing to see nothing about Monty Python at all, not even from a social history angle. And George Orwell . . . he wasn’t there either! How can you write a whole 600-page book about the BBC and not mention Orwell even once??

Merel, by Lodewick: Small-town Belgium slice of life. Drawings have a bit of a claymation feel.

Contrapaso, by Teresa Valero: Spain 1956. Scary stuff. Beautiful drawing and coloring. Very much like a movie.

Tuskeegee Ghost, by Von Eckartsberg and Dauger: I was at the Centre Belge de la Bande Dessinée and saw a cool poster they were selling at the gift shop. I asked the storekeepers what album the scene was from, and after some phone calls they figured it out . . . it’s the image on the top part of page 14 of this book. I really like the drawings of this one. The story is fine too, but it’s the art that sold me. It reminds me of something but I can’t remember what.

Les Amants d’Hérouville, by Le Quellec and Ronzeau: True story, sad but kinda sweet too.

Previous BD reviews here. And I guess you can find some previous book reviews in the Literature category of the blog.

Some nuggets from a week’s worth of comments

After returning from vacation I went in to approve the blog comments that were sitting in the possibly-spam folder. This gave me the chance to skim through a couple hundred comments, and there were some gems! We often have great comments but I just read them as they come in, one at a time. Seeing a week of comments all at once made me appreciate what we’ve got here. So, thanks everyone for contributing to our discussions!

Here are a few fun comments from last week:

From Anoneuoid:

A friend and I were talking the other day about all the people who seem to be on the phone (via headset) all day at work. This is particularly common for jobs like cab/uber driver, convenience store clerk, and mail/package delivery.

Who exactly is available to talk all day with them? Then we realized who must be on the other end of the conversation: other people with similar jobs.

That lead to the next idea, what if for every “crazy” person who hears voices and talks to themself there is another “crazy” person on the other end?

Now yes, this theory requires assuming some form of natural long distance communication is possible. And also must be highly compressed/encrypted to escape detection for so long. But all of that sounds like what you would expect evolutionarily anyway.

I love how that comment starts with an amusing observation and then goes off the deep end. It’s kind of like science standup.

And this from Jd:

Random forest, neural nets, bagging, and boosting sounds so cool. You know, if your sponsors are staring across the horizon of big data and you offer something like random forest, they may just say, “yes…yes…that’s the thing.” Mr P is sorta cool, but it sounds kinda like a hip hop artist. But if you say, well we ran this Bayesian linear regression with a couple of variables, how are you gonna compete against the feedforward artificial neural network multilayer perceptron model?? It’s like boring old stats vs the Transformers.

Finally, a serious one from Anonymous, relating to the controversial unreproducible paper from Google on chip design:

This repository has been up for over a year, right? Have things changed since this statement from Andrew Kahng? https://docs.google.com/document/d/1vkPRgJEiLIyT22AkQNAxO8JtIKiL95diVdJ_O4AFtJ8/edit

Relevant quote:

“Further, I believe it is well-understood that the reported methods are not fully implementable based on what is provided in the Nature paper and the Circuit Training repository. While the RL method is open-source, key preprocessing steps and interfaces are not yet available. I have been informed that the Google team is actively working to address this. Remedying this gap is necessary to achieve scientific clarity and a foundation upon which the field can move forward.”

I wonder what ended up happening with that. My guess is that everyone moved forward and nobody cares about that particular method anymore, but I have no idea.

Writing that changed my life

Gödel, Escher, Bach, Douglas Hofstadter’s 1979 book, came up recently in Andrew’s recent post on ESP. I read GEB when it came out. I was in high school. Not only did I learn a lot from the book, it directly led me to choose an undergraduate institution (Michigan State) that let me tailor all of my classwork toward studying logic, semantics, and AI. I then went to grad school at the University of Edinburgh, an institution known for AI. Then as a professor, I worked on natural language syntax, semantics, and programming languages (usually by applying techniques from the latter to the former). It’s the PL research that led directly to the Stan language.

I realized there were other reads that completely changed my thinking about a subject.

Natural language semantics

As an undergrad (early 80s), Richard Rorty’s Philosophy and the Mirror of Nature moved my thinking from a broadly Platonic (logical positivist) perspective on meaning to a more pragmatic one that focuses on cognitive agents. It was pretty rough giving up Russell and embracing Wittgenstein! I miss engaging with Keith O’Rourke on these topics on the blog.

Natural language grammar

During grad school (mid 80s), Joachim Lambek’s paper on associative categorical grammar led me away from the ad hoc systems of phrase structure grammars (TG, GB, P&P, GPSG, HPSG, CCG, etc.) toward the Curry-Howard morphism and linear logics, which I’d argue is the right way to understand the syntax/semantics connection for the logical structure of language (e.g., quantifier scope, coordination, relative clause formation, etc.).

Statistics

Late in my career as a professor (mid 90s), we hired Chris Manning (now a CS prof at Stanford) and he taught the precursor to his book, Foundations of Statistical Natural Language Processing. That’s what really got me into stats along with speech recognition. It’s far too dated to read now and Chris told me he doesn’t plan to revise it.

Later, when working in industry on speech recognition (early 00s), I somehow stumbled upon Jim Albert and Jay Bennet’s pop intro to stats using baseball, Curve Ball. I can’t recommend this one highly enough. It taught me about uncertainty and all sorts of issues in stats including sampling based inference. The next thing I read in stats that stuck was Gelman and Hill’s first edition regression book (the title of which is too long to repeat here), which really cemented the things I read in Curve Ball with many GLM examples. I needed that, BUGS and the BUGS examples, and to digest a book on math stats before I could broach Bayesian Data Analysis.

Roleplaying games

Most recently (late 10s), I was introduced to fiction-first gaming by Steve Bronder, who ran Grant Howitt’s Honey Heist, Crash Pandas, and Golden Sea for our group. But the real game changer, so to speak, was John Harper’s absolutely brilliant RPG, Blades in the Dark. That took me the rest of the way into fiction-first gaming and now I can’t even imagine going back to the to the Vancian spell books, swingy d20s, and the grid and turn-based mechanics of D&D.

Disappointing lack of institutional memory at the New Yorker

I was reading an interesting book review in the New Yorker and then came across this surprising bit:

The idea that ordinary life can be the subject of great art has long been accepted when it comes to poetry and literary fiction—in these genres, its status as a worthy subject feels self-evident—but it can still raise hackles in creative nonfiction. An invented life can be ordinary, but an actual life had better be seasoned by either extraordinary suffering or particular achievement.

I was stunned to see this claim, in the New Yorker, without any reference to classic New Yorker writers A. J. Liebling and Joseph Mitchell, who built much of their careers on writing about local characters. Mitchell’s the one who had the famous line celebrating the ordinary people who were the subjects of his reporting: “There are no little people in this book. They are as big as you are, whoever you are.” We could also add St. Clair McKelway, who wrote a long report about a charming down-and-out guy who counterfeited $1 bills.

I can understand that a particular writer might not be aware of these once-celebrated but now-obscure figures in literary journalism. But I was disappointed that whoever at the New Yorker who was editing the piece didn’t notice. Liebling is one of my favorite writers!

The twists and turns of cultural politics (who to blame for a bad ghostwritten book?)

It’s exhausting when every cultural event has to be interpreted politically.

I was reading this review by Andrew O’Hagan of a recent book by Dolly Parton and James Patterson. I’ve never read anything by Patterson, but he’s supposed to be a really bad writer, so I wasn’t surprised to see that O’Hagan hated the book and used his review to address some larger questions. That’s fine, indeed really what I was hoping to see. O’Hagan is a thoughtful and interesting writer (see for example here) and a ghostwriter himself, so this seems like a perfect assignment for him.

And I was not disappointed—at least at first. I looooved this line:

In works by the world’s bestselling author, the suspense is always exactly where you think it will be, so there’s actually no suspense.

It’s a zinger, but also he has a good point! There really is a paradox of suspense, and it reminded me of the paradox of the unexpected hanging. (By the way, this is off topic, but if you’re interested in the paradox of the unexpected hanging, I strongly recommend Martin Gardner’s article on the topic, which clarified to me that it’s nothing but an elaborate variant of the sentence, “This sentence is a lie.” In this case, the implied statement is, “You will be hanged today and you will not be hanged today.” The recursion of the multiple days makes the problem seem more complicated than it actually is, and once you recognize that it’s a flat-out contradictory statement, you can see that any resolution requires the jailer to be willing to contradict himself.)

Anyway, all good. But then O’Hagan goes on, and he ties himself into a knot. On one hand, he’s decided to take an anti-Patterson position—this was not necessary, as you could imagine a populist, pro-Patterson take, but it’s fine with me; I’m ok thinking that the world’s best-selling author is not such a good writer, as I guess that many readers are not really looking for a good writer—but the difficulty is that Dolly Parton is a cultural icon and O’Hagan doesn’t want to say anything negative about her. It all feels very political.

Here’s O’Hagan:

A well-written song can dramatise a wonderful character or bring back a singular voice, and in these senses, among others, the siren of East Tennessee is better than most poets. There’s a giggle and a teardrop in her voice, an unmistakeable set of attitudes about life, and I was looking forward to her novel the way lovers of chocolate might look forward to Easter. It was going to be Eudora Welty, Tom Wolfe, Reese Witherspoon and Tammy Faye Bakker in a wild Southern barn dance. It was going to be a roof-raising, hello God hoedown, a complete riot of personal faith, the sentences glinting with rhinestones and Southern Gothic, all of it secured by a narrative raised on sweet tea and Moon Pie. On her own, Dolly can do no wrong, but like many country heroines she sometimes gets into bad company. . . .

Even at this early stage in the narrative, you detect the clumsy fingers of a bad male player drubbing up and down the fretboard of Dolly Parton’s own tune . . . as if her talent could only be explained by a welter of clichés about male brutality and its creative effects. Even as a piece of fun, the book has that strange, bleachy smell of foxes new to the yard, pissing out their territory.

He continues:

Dolly should have dismissed her co-author when she saw the first draft of the first chapter, because it reveals a category error on his part, the supposition that violent men have more to do with a female singer’s creative impulses than her own talent does. . . . That might be deeply un-Dolly, but the yee haws keep on coming. . . . She can’t enjoy a chat over a snifter without it curdling into Oprahese . . .

I get it. He was coming into this book anticipating a guilty pleasure, and it disappointed. Kinda like the last time I went to see a James Bond movie. I was looking forward to a couple of relaxing hours of movie magic, and instead it was . . . kinda boring. Formulaic but not in a good way. I’m not quite sure why the Columbo formula entertains me but the Bond doesn’t, but there you have it. I wasn’t coming into the theater planning to be bored, it just happened. Similarly, I accept that O’Hagan didn’t open that book with the intention of panning it; likely his hope was to say how much he liked it despite, presumably, it being written in a bland, lowest-common-denominator style.

But he didn’t like it: as with many such cultural products, when it disappoints, it disappoints a lot. If I eat a plate of broccoli and it’s not delicious, maybe it even tastes flat-out bad, well, no harm no foul, there’s worse things than getting some greens into my body. But if I eat a 2000-calorie sugar/fat bomb of a dessert, expecting a simple pleasure, and it doesn’t even taste good . . . that’s annoying! An unpleasant experience, a waste of time and money, a let-down, and it’s not even good for you. The worst of both worlds.

OK, fine. My problem is that O’Hagan is so careful to let Dolly Parton off the hook here! Sure, Patterson wrote the damn book so he should get most of the blame, but Parton did put her name on it. I feel like this is all kinda political on O’Hagan’s part, that he doesn’t want to criticize Dolly Parton, culture hero. It’s a cleaner story if Parton’s just the victim here—but, paradoxically, this interferes with other aspects of O’Hagan’s message. It’s the unexpected hanging all over again.

P.S. See here for more on James Patterson, also here. Apparently he’s not the same person as Richard North Patterson. According to Wikipedia they’re born exactly one month apart.

Fields where it matters that “there’s no there there,” fields where you can thrive on B.S. alone, and everything in between

Seeing this desperate attempt by Tyler Cowen to cover for crypto scams (his list of “falls in status” includes silly items such as “Mrs. Jellyby,” bizarre items such as “Being unmarried (and male) above the age of 30,” and “Venture capital,” but, oddly enough, not “Crypto” itself) made me think that smart people are overrated. Let me put it this way: if you’re a smart astrologer, you’re still not gonna be able to do “real” astrology, which doesn’t exist. To say it slightly differently: it’s easy to promise things, especially if you have a good rep; you have to be careful not to promise things you can’t deliver. It doesn’t matter how smart James Watson’s friend was; he didn’t have that promised cancer cure in two years.

As the saying goes: Saying it don’t make it so. I could go around telling the world I had a solution to all the problems of MRP, and some people might believe me for awhile—but I don’t have such a solution.

I can see how Cowen in his above-linked post doesn’t want to believe that crypto is fundamentally flawed—and maybe he’s right that it’s a great thing, it’s not like I’m an expert—but it’s funny that he doesn’t even consider that it might be a problem, given the scandal he was writing about.

All this got me thinking: in what fields of endeavor does it matter that you’re just B.S.-ing, and in what fields can you get away with it?

Sports: Chess cheating aside, if you don’t got it, you don’t got it. Public relations can get you endorsement contracts but not the coveted W. Yes, you can get lucky, but at the highest levels, only the best players can get lucky enough to win.

Science: You can have a successful scientific career based on a deft combination of B.S., promotion, and academic politics—just ask Trofim Lysenko, or Robert Sternberg—but you won’t be producing successful science. That said, you can do good science even with terrible theories: as I like to say, often the house is stronger than its foundations. I’ve heard that Isaac Newton learned a few real things even while trying in vain to convert lead into gold, and, at a much lower level, my colleagues and I have had spinoff successes from some of our overly-ambitious statistical failures.

Literature: Here, being smart, or inspired, will do the trick. Consider Philip K. Dick, who believed all sorts of weird things which he transmuted into wonderful literature.

Finance: This one’s somewhere in between. With a good line of B.S. you can do well for a long time, even until the end of your life (for example, Jack Welch); other times you’ll get caught out, as with the recent crypto scandal.

Often I think of this great line that Craig delivered to Phil one day in high school. They were arguing about something, and Craig concluded with, “You may be winning the argument, but that doesn’t mean you’re right. It just means you’re better at arguing.”

That was a good point. A good debater can persuade with a bad position. That doesn’t suddenly make the position correct. And sometimes it can be a bad thing to be too good a debater, or to be too insulated—personally or financially—from people who can present the opposite view. As discussed above, it depends on what field you’re working in.

I guess Gladwell couldn’t have afforded a fact-checker who could’ve told him that planes don’t take off in a tailwind.

Palko points to this interesting article by Emma Copley Eisenberg on fact checking.

Academic books and articles don’t get fact checked—in my experience, they don’t get edited at all, except for mostly-useless copy editing—but once I wrote an article for the (online) New Yorker and it got fact checked, which was kinda fun. The New Yorker still publishes occasional factual errors, but I guess it’s good that they try to avoid doing so.

P.S. Regarding Gladwell, the problem is ultimately not with him as much as the news media (NPR, etc.) that take him seriously. Similarly with people like Newt Gingrich: there’s nothing stopping a retired politician from mouthing off, also there’s nothing forcing the news media to treat him with respect.

Where does this quote come from? “I don’t trust anything until it runs. In fact, I don’t trust anything until it runs twice.”

Google the above quote and you’ll see it attributed to me. And it does sound like the kind of thing I might say. But I don’t recall actually having ever said it, and a search does not turn up any original appearance of this saying.

Does anyone know the original source? Is it something I said in a talk and have forgotten? Or maybe it was misattributed to me, but then who said it, and when?

P.S. I was the one who said it! Back in 2017. Commenter Ahm reports:

I put it in my “Ideas to Inflict Upon Co-authors and PhD Students” notebook after hearing it in the talk “Theoretical Statistics is the Theory of Applied Statistics: How to Think About What We Do” at the 2017 New York R Conference.

The talk is on Youtube (timestamp 27:51). Link here.

The full-ish quote is “Computer programing is basically the last bastion of rigor in the modern world. I don’t trust anything until it runs. In fact, until it runs twice on the computer.”

If that sort of transition helps you keep the flow, go for it. Then, when you’re done, go back, find these phrases, and delete them.

Xiao-Li sent me a draft paper and asked for my reactions. In addition to substantive comments, I wrote:

On page 11, you say, “It is also worth stressing that…” You can remove those six words! Everything in your paper is worth stressing. See here.

This is standard advice that I give, but this time XL pushed back:

I am aware of your disliking “It is worth to note” or anything of that sort, and indeed every time I write something like that I’d remind myself what you would say, and if it is really necessary. In those cases I decided to retain such phrases, I found without them the flow got interrupted a bit too much for my taste. That is, such phrases for me are often more for the purpose of a smoother transition from one message to another (weakly) related one, than for actually emphasizing the importance of the message. Does that make sense to you?

I replied:

It’s your call. I don’t know Chinese. I know some French, and I think style is different in different languages. So it could be that removing “Note that” could make the writing seem awkward in Chinese, even if it makes it more readable in English. I think that “Note that” etc. in writing are the equivalent of “Umm” and “Uhh” and “Y’know” in speech: they allow the worlds to flow more smoothly for the writer or speaker, but they are a distraction for the reader. When speaking, we can train ourselves to avoid saying Umm etc.; when writing, the task is easier because we can go back and clean up what we wrote.

So that’s my take. Phrases such as “Note that” don’t generally make your article easier to read, but they can make it easier to write. And that’s important. If that sort of transition helps you keep the flow, go for it. Then, when you’re done, go back, find these phrases (also “Of course,” “very,” “quite,” “Importantly,” “Interestingly,” and a few more), and delete them—or, I should say, decide by default to delete all of them, but keep them where you decide they are absolutely necessary.

Stoner.

A person recommended this novel to me and I read it. Despite the title, it’s nothing at all like Dazed and Confused. Except for being a heartfelt, quotable, work of art capturing certain time-bound aspects of middle America during the twentieth century—but no similarities in themes, characters, plot, or sensibility.

Associations

You know how sometimes after you’ve read a book you associate it with the chair you were sitting in when you were reading it, or the chips you were snacking on at the time, or some other experiential thing? In this case, the two most relevant aspects to me will be completely irrelevant to you: the person who recommended the book to me and the language I read it in. Stoner was the first book I’ve read in English in the past few weeks. Don’t get me wrong—I’m still reading lots of stuff in English, not even counting almost everything I read on the internet—it’s just that I’ve been using my fiction reading to work on my French. Which is still pretty bad. So when I read a book in English, it’s kinda stunning how fast it goes and how I can actually follow everything that’s happening. I was trying to imagine what it would’ve been like to have read Stoner in translation. My guess is I would’ve followed the general plot and the main themes for sure, and I think I would’ve had a sense of all the characters, but I would’ve missed some of the details of the plot, and especially I wouldn’t’ve caught the many quotable lines, the bits where the author inserts some general statements about life. Unfortunately, I didn’t think to mark or otherwise note these passages and I don’t have the energy to find them now, but you can take my word that if you read this book in your native language you’ll find some pleasantly deep thoughts. Indeed, one of the charms of Stoner is that it’s written in an old-fashioned third person, without the full rigor of point of view that you’d get from a modern writer such as Richard Ford, but this relaxedness has its compensations.

Stoner is similar to what other books by other authors?

This paperback reprint copy of Stoner is full of over-the-top blurbs, which set me up to love the book but also kinda made me want to hate it. I ended up liking the book, but before getting to the ups and downs that got me there, let me talk about comparisons, as one thing about reading all those blurbs was that it got me wondering what other books or stories were like it.

My first comparison point was the now-forgotten but once very popular John P. Marquand. (When I’m talking about Marquand, I exclude the way overrated The Late George Apley. I’m talking about real Marquand books like Point of No Return, Wickford Point, etc.) Marquand was the poet laureate of mid-twentieth-century American professional Wasps looking back at their lives and tracing their choices and regrets, which pretty much describes Stoner. The style is different though, as John Williams (the author of Stoner) plays it straight, with the only humor coming from the main character’s bemused take on human follies, whereas Marquand is ironic all the way to his chapter titles. I’m not saying this makes Marquand better than Williams—or vice versa—just that they present very similar themes and plots but with much different sensibilities. I like them both.

My next midcentury comparison point was John O’Hara—like Marquand, a bit older than Williams, but then again Williams has an old-fashioned aura. O’Hara was another “social novelist,” and Stoner does, among other things, present a core sample of part of American society. I guess at this point you might ask why I don’t compare to John Updike: I guess it’s because, while O’Hara and Willams do write about changes in the world, I think of both of them more as capturing some particular aspect of society in amber, whereas Updike, like Philip Roth and others of that era, seem ultimately to be writing about change: change is their topic, in a way that I wouldn’t say is the case with Marquand, O’Hara, or Williams. In any case, I don’t think the O’Hara comparison is so close, because Williams really gets inside his characters in a way that O’Hara doesn’t really try to do. Again, this is no criticism of O’Hara—a feeling of objectivity is part of what he’s going for, just as his follower George V. Higgins did, decades later—; he and Williams are doing different things.

In any case, I finally thought of the perfect comparison: Forlesen. Same general characters, same themes, same adulthood-to-grave plot, same sensibility where the main character finds himself in a world he doesn’t full understand and resignedly accepts the absurdities around him while trying to find meaning in the life that he’s given. OK, not identical: Stoner is a full novel and Forlesen is a short story; Stoner is full of realistic detail and Forlesen is written in the form of a dream or fantasy; still, I was struck by the similarities. Maybe no coincidence: Forlesen came out a few years after Stoner, and maybe Wolfe had read that earlier book. I don’t know. I googled various combinations of Forlesen, Stoner, John Willams, and Gene Wolfe and didn’t find any matches, not even anyone commenting on the similarities of the two stories. Another similarity is that Stoner and Forlesen both feel like masterpieces, or maybe one would say, “minor masterpieces” or “tours de force.” They just give an air of perfection, even though they’re not perfect at all, they’re just human products, but when I read Forlesen and there were parts of it that I didn’t understand, I just felt that this was my failing, that it all fit together in a deep way, and similarly with Stoner. Again, I’m not saying that either of these works of literature is perfect, just that each of them is written in a “this is perfect,” self-contained style. Unlike for example Martin Amis or, to bring him up again, John Updike, each of which in his own way has a sprawling style where you’re happy to feel that that he threw in some extra stuff because he wasn’t exactly sure what would work.

Not a campus novel, as that term is usually understood

Here’s one more set of comparisons, that, interestingly, doesn’t work so well, and that’s to other campus novel. Stoner is definitely a campus novel, as it takes place almost entirely at a university, most of its characters are connected in some way to the university, and lots of its plot involves campus themes such teaching and university politics. But just about every other campus novel I’ve read is a comedy. Maybe a dark comedy, but still fundamentally ironic. Mary McCarthy, David Lodge, James Lasdun, you name it, they play the academic struggles for laughs. And that’s not even getting to the ha-ha, murder-on-campus, why-was-the-department-chair-found-with-a-knife-in-his-back satirical mystery novels. In contrast, Williams plays it straight. Yes, there’s humor, and the main character perceives the absurdities of it all, but ultimately the academic aspects of the novel reflect a view of teaching and research as noble pursuits, with a respect for the people who do these jobs seriously. Even the academic administrators are given respect for doing a difficult job the best they can. So I don’t think Stoner fits into the usual campus novel tradition.

The one thing that I don’t think worked so well in the book was the specifics of the academic interest. Stoner’s passion is not science or sports or Shakespeare or anything even vaguely accessible to me, or I’d guess most readers. It’s medieval literature, actually the connection between Latin grammar and medieval literature, or something like that. Within the context of the novel, this worked: I found it believable that William Stoner, the character, was entranced by the topic and that he could on occasion inspire students as well—but Williams was not able to convey this in a “show, don’t tell” fashion: I never got any sense of what about Latin grammar and medieval literature was so life-changing to Stoner. I have no doubt that some scholars really are excited by that topic, but it seemed like a weakness of the book that this central motor of plot and character never came alive. It would be as if there was a book all about football but with no actual football scenes.

That’s not really the biggest deal, though, as the book was mostly about the protagonist’s decades-long struggle to understand himself and the world. Remember Baldanders in the Book of the New Sun, who was a kind of inverse of a self-experimenter: rather than experimenting on himself to understand the world, he experimented on the world to understand himself? William Stoner was kind of like that: he’s a self-effacing man who does his duties as he sees them, but ultimately I see him as a kind of solipsist, with the fundamental plot of the book being his gradually increasing understanding of himself.

The academic politics are realistic.

Interestingly enough, even though—or perhaps because—Stoner is not a traditional campus novel, its descriptions of academic politics seemed realistic to me:

– The nightmarish feeling where you’re just doing your thing and all of a sudden it turns out that you’re in the way of someone else’s power play.

– Being assigned to teach night classes as a form of retaliation.

– Having someone who works down the hall but doesn’t say a word to you for years.

– The dismaying feeling sometimes that you’re playing checkers and they’re playing chess. And other times the amused feeling that they’re making a spiderweb of plans but you don’t care at all.

Sometimes you can just do your teaching and research and not get tangled in other people’s silly games and empire building; sometimes you can’t avoid it.

How I felt about Stoner, and William Stoner, during my reading

OK, now on to my reactions while reading the book. I started off being impressed: the topic of the book sounds boring, and the topic of the beginning chapters—farm boy goes off to a small college in 1910 and discovers a love of book learning—seems particularly dry—but it was readable! To squeeze this level of narrative juice from such a stone, that’s an impressive achievement.

Then when I got past the middle of the book and came to all of William Stoner’s disappointments, I started to get annoyed: the character is so passive, he’s a doormat, he just sits around being a victim and we’re supposed to feel sorry for him! I decided that William Stoner is, to use an anachronistic term, passive-aggressive, invariably doing the things that will annoy people the most and then acting as if he has no agency. How irritating! I mean, sure, sometimes it’s interesting to read a book about an unappealing character, but here I felt he was supposed to be the hero. It would be as if someone gave me a biography of Alexander the Great and I’m supposed to be cheering him on as he goes around starting wars and slaughtering people.

But then I kept reading and I get a sense of where the character is coming from, that these disappointments are just part of his life, they don’t define his life. Also, the plot is clean enough that you can see the logical rationale for why he doesn’t get divorced or take other steps that, from the outside, would seem natural.

Finally, upon reflection I realized that William Stoner did have agency: he wasn’t entirely passive. He made some big decisions, most notably not to go back to the farm and not to go fight in World War 1. It was made clear in the book that these were decisions he made, and made me think of the idea that appears in some time-travel-related science fiction, that most of our apparent decisions are deterministic (we think we’re deciding what to do but our brains have already made the decisions for us, as it were, with our executive function or homunculus then believing the fiction that it is in charge), but that occasionally there are these pivot points where history could go in more than one way. Reading Stoner, I get the feeling that he could’ve gone back to the farm, and later he could have enlisted, and the character made deliberate decisions not to. In contrast, other important aspects of his life such as his marriage and much of his career just happened, and he either acquiesced with the flow or recognized in some meta-fictional sense that these were not his decisions to make.

So in that way the book is kinda modern, or post-modern—I can never quite tell the difference between those terms—despite being written in a straight-up realist style.

The female characters

The most striking flaw of the book—other than the author’s inability (as I see it) to bring to life the protagonist’s love for Latin grammar and medieval literature—is in the presentation of the two main female characters, one of whom is close to all bad (excused possibly only by her weakness) and other who is, as far as we can see, absolutely perfect. On the other hand, we interpret this not as the author’s perspective at all but rather an description of the protagonist’s narrow understanding of the opposite sex, with the representation of these two love interests showing his own inability to get into these other people’s heads. From that perspective, it is William Stoner, not John Williams, who is able to see men as complex three-dimensional entities but can only understand women as idealizations. I can’t really figure out how to tell this apart—in statistical terms, the information given in the book cannot “identify” how much of this perspective is coming from the author and how much from the character—but, if we really want to get post-modern (or modern) about it, that’s itself one of the shimmering ambiguities that gives this apparently so-straightforward book some of its interest.

In summary

As with Nassim Taleb’s books, Stoner gave me a lot to think about. It’s not my job to “review” Stoner or to tell you “how good it is” or to give it some number of “stars” or to give you my take on the author’s sexism or lack thereof. Really it’s one of the pleasant aspects of blogging, as compared to standard journalism, that I don’t need to wrap things up at the end with some final assessment. I recommend you read Stoner, and something by Marquand (but not The Late George Apley, please), and Forlesen. And, if you’re like me, this will stimulate a lot of thoughts.

Another book about poker

I just finished Last Call, a science fiction novel by Tim Powers, that I’m mentioning here to add to our list of literary descriptions of poker. Last Call is pretty good: it’s full of action and it reads like a cross between Stephen King, Roger Zelazny, and George Pelecanos. I thought the ending was weak, but, hey, nobody’s perfect.

The poker scenes in Last Call were carried out well. The only problem I had was in some of the exposition near the beginning, where it seemed that the author was regurgitating a bunch of Frank Wallace’s classic, “Poker: A guaranteed income for life by using the advanced concepts of poker,” even to the extent of repeating the anecdote about the sandwich. Wallace’s book remains very readable, and I have no problem using it as background, but it’s gotta be processed first so it doesn’t look like raw research.

Some things are more difficult than you might think (literary interviewing edition)

Awhile ago I picked up this book, “The Book That Changed My Life,” which is a collection of interviews with 15 pretty famous authors (Don DeLillo, Diane Johnson, E. L. Doctorow, Grace Paley, and some other names who many middle-aged and elderly readers of this blog might recognize) on the books that influenced them when they were young, along with more specific questions about influences on their well-known books. The interviewer, Diane Osen, asks good questions, but the whole thing doesn’t work for me. I found the book to be boring and difficult to read.

OK, that’s just my reaction. You might love the book. I’m not trying to offer any sort of universal take here. My point really is just that this idea—find a bunch of authors of interesting literature, ask them some open-ended questions, and edit the results—seems like a foolproof formula for a book. And asking about books that changed their lives, that also seems like a great idea, a good way to structure the whole volume. I love the Paris Review interviews, and this seems kinda similar.

But, no, I guess it’s harder than it looks. I’d like to think that if I could have some time to interview Grace Paley (when she was alive), Don DeLillo, etc., I’d have material for a fun book, but, no, I guess not. I guess it takes more than a willing supply of quality interview subjects to put together a readable book of this form.

I like interviews with authors, in the same way that I like book reviews and other meta-literature, so I’m really in the sweet spot of the intended audience for this one. So if this didn’t interest me, given all it seemed to have going for it, this is evidence that a lot more skill is involved in this endeavor than I’d imagined.